Remember to listen

Don’t forget that body language doesn’t replace other forms of communication. Body language is part of the big communication package everyone uses all the time. You should evaluate verbal and nonverbal messages within the greater context of the situation. (Read the section “Don’t Believe Everything You See,” at the end of this chapter.)
Next time you watch a feature film, pay particular attention to the actors when they aren’t speaking. What are they saying to you with their bodies? Consciously think about the message being communicated. The better the actors, the more they are able to communicate without words. Feature films can provide a wealth of education about body language, especially scenes without dialogue.
12 Angry Men (the original black-and-white film with Henry Fonda at the center of the action) is a film that I show at every intensive, three-day negotiating seminar. It’s the story of a jury considering the fate of a young man accused of murdering his father. The first vote that the jury takes is 11-1 for conviction. Fonda, as the holdout, leads a discussion among the other jurors, but doesn’t appear — from the dialogue — to have made any progress. Finally, he stands and makes a bold proposal: “Let’s take one more vote — by secret ballot. If I am the only one for ‘not guilty’ I will change my vote and we can go home.” Obviously, someone changes his vote or the movie would have to end there. I stop the film at that point, and we go around the room as the participants guess which juror changes his vote. Many participants are able to pick the correct juror from the body language. The dialogue is little help. Those participants who do not pick the correct juror are generally off by only one or two. By that I mean if they don’t pick the next juror to change his vote, they pick the second or third juror to change his vote (it is, after all, a 90-minute movie). Sometimes, a participant will still focus on the dialogue instead of the body language, and those who do select the sixth juror to change his vote. Rent the film. Try the exercise. It’s a real lesson in body language. My favorite line in the movie is when one of the jurors storms out of the room while another juror is trying to talk to him. Fonda leans over and says, “Never mind. He can’t hear you. He never will.”